15 September 2012

An Excerpt of My Novel

With one novel on submission to agents, another almost half-way through, a full-time job and a list of manuscripts as long as my arm to critique, I'm not finding as much time for blogging as I'd like. So in future I will be dialing back on the number of manuscripts I accept and finding more time for this little site. Here is my humble September offering.

When I hear than an editor is also a writer I'm always more curious about their work than about anyone elses. An editor should know and avoid the common mistakes, be more 'clued-in', and generally be able to see the good and bad in a manuscript. So in the interests of full-disclosure, since I've spent the last year reading and editing and giving opinion on all your work, I thought I would do a little sharing of my own. This is a short extract from the first chapter of the novel I currently have on submission to agents.


He set the receiver down and aligned the phone with the edges of the small side table, wiping a few errant motes of dust from the thick-varnished fake mahogany surface. Marius stared at the inhabitants of his sparse apartment, their blithe taunts cut deeper today, small verbal nicks, like those received by careless shaving stabbed at him from all sides. This was not uncommon, Marius had woken up to them, left for work with their words dancing in his ears, come home to them and struggled to sleep each night for the over a year with nothing to break his routine. So, in an inconceivable moment of spontaneity, Marius took up his jacket and dashed out of the flat before another barb could reach him.

Marius went to a bar. This was the first and only repeat of an act of peer pressure from his eighteenth birthday. He assumed, through its glorification by the media, that this was ‘the thing to do’ when the day had shit on you so hard that only neat alcohol and anonymous company could dig you out. He entered the first establishment he came across and, seeing the Friday night rush, resolved to leave immediately. Turning to flee, he was blocked by a team of loose-suited, sun-blushed city-types, forcing him further into the throng of after-work revellers and up to the bar. He was sardined between the three-deep crowd of money-waving patrons and the hulking stock-market-in-the-week-ruggers-on-the-weekend louts behind him.

Panic was rising. Marius could feel the stale beer-tainted breath on his face, burning into his nostrils and watering his eyes. His shoulders were touching his ears and his made-in-Taiwan canvas shoes offered no protection from the Italian calf-skin loafers intent on crushing them. An almighty roar from behind and the horde surged forward. Smelling it before feeling it, the acid tinge of spilt alcohol covered his left shoulder. Cigarette ash stuck to the spillage and its owner came within millimetres of his eye. The nicotine smog swirled above him in a demonic haze. The ceiling disappeared, the floor disappeared, the people around him melded into one fleshy mound and Marius’ vision blurred.

Desperate not to collapse surrounded by these oblivious thugs, Marius employed his elbows, tucked his head down and barged his way free to a chorus of disapproval.

‘Oi mate, calm down!’ a rotund fellow in an army jacket shoved him back but Marius persisted.

‘You wanna stop that mate,’ a meaty hand gripped his hunched shoulder.

Marius’ mouse whisper apology did nothing to stem the tide of drunken anger soon to be directed at his torso and face.

‘You wanna learn some manners son,’ Marius now noticed that covering the man’s head, in place of hair, was the wide, stretched skin of a scar. 

‘You looking at something son?’ the man’s tone had turned sinister. Marius tore his vision from the torn scalp to a pair of ferocious baby blues.

‘I think you oughta come outside with me, eh? I’ll gi’yuh something to look at, ay?’

Marius’ blood turned to ice. He’d never been in a fight before. What were the rules? Should they exchange insurance information beforehand?

The squat bulldog was ushering him to the door, the man's hand was carved out of wood, impossible to wriggle free. Marius’ protests went unnoticed or unheard.

‘Teach you ta stare won’t I ay?’

The bulldog’s right hand was on the door handle, the other still vice-like on Marius’ shoulder. Shit. Marius couldn’t fight. Marius did not like confrontation. Marius was a pacifist. Oh shit the door was opening, the dog was pushing him outside. Who was he kidding? Pacifist? Marius Arnold was a coward. One foot out the door. Shit. They say that a guy’s first fight is a defining moment, that it turns you from a boy to a man because you can’t be a man until you’ve felt the fist of another man break your cheekbone. Marius did not give this any weight but he did wonder in this moment if, had he been beaten to a bloody mass during adolescence, he would not now be shitting himself quite so liberally. Both his feet were now outside the safe confines of the pub. Shit.

Then, an angel in khaki.
 

16 May 2012

New Challenge - Cover Design

A friend of a friend of a friend asked for my advice on the cover design of his new, self-pub book. After a bit of discussion he asked me to design the whole thing. I do cover layout in my day job but I don't create the graphics so this was a new challenge for me. A bit of back and forth, well, a lot of back and forth, and we came up with this -


This is now up on Amazon and here is the blurb -

The Veil. A doorway between worlds, hidden, feared and worshipped. The Veil reflects the life of the world and on Nalamae, there was no darkness within its silks, not one flicker of black. Nalamae breathed fresh air but when darkness does come to a green world, it comes swiftly and it comes with an army.

Nikki, Leah and Tobias are the only survivors of the attack. They must escape Nalamae and find the man who killed their world, the son of tyranny, Vladimir. Once through the Veil, the three discover the darker side to the universe and for Leah and Nikki, a destiny that will test the limits of their friendship.

The three travel through worlds of deserts and forests, of genetic technology and dagger-like mountains, right into the heart of darkness itself. To get to Vladimir they must get through the Dimlight, the place behind the blackness of space. Dragons roar through it, ridden by beings of pure magic and it is here that Nikki realises that she is much more than simple girl.

But Vladimir has a plan of his own, he has been hunting them since they left Nalamae, intent on completing an ancient task that will shake the universe to its core.

Darkling Worlds is an epic fantasy that takes you through the universe on the back of a dragon, to worlds of magic and death, and through the fabric of space. 

During my design time, I also read the book. I don't usually read self-pub books, I'm a firm believer in traditional publishing and the importance of editors but Darkling Worlds might change my mind a little. I'll just say that if this book doesn't get picked up, I'll be surprised. And obviously with a surname like Lewis, AJ is already on the right track to stardom!

4 May 2012

Writing Update

I have been a bit lax with blogging and updating and all that jazz. The reason for this is because in the middle of February I finished my WIP. I then spent the next 6 weeks editing and revising it. Now it is on submission to agents and the responses have been wonderful so far.

This isn't the only thing that has been taking my attention away from blogging. I have started a new WIP which I am super excited about, even more than the first book. This new project currently stands at 12k and I'm really happy with it. It is using narrative techniques I haven't used before and I'm experimenting with chapter length and jumping POVs. In short, loving it. I'm also getting married in 6 weeks so the planning has just overwhelmed every other spare moment.

I will be blogging more in the future, hopefully with some good news of my first WIP! :)

7 February 2012

The First Line Series: 1 - The Hook

When it comes to the first line of a book, there seem to be a few different theories floating around. Each one deserves it's time in the spotlight so I will discuss these theories and their pros and cons over the next few blog posts. The first discusses that old adage of 'hook your reader' and 'make that first line a killer'.

The Fish Hook in the Cheek
This is the idea that a first line should grab the reader like the titular fish hook. It should entirely prevent the reader from looking away, putting down the book and wandering out of the bookstore. It should, in fact, drag the reader to the counter where he or she will slam down their hard-earned cash, thank the cashier and hurry home, all without having looked up from the page. This theory states that you, the writer, should spend hours painstakingly crafting that first sentence until it jumps off the page and gives you a Roger Rabbit-esque kiss.

First Lines that Do It Right: 
Rebecca - 'Last night I dreamt I went to Manderley again.'
Mrs Dalloway - 'Mrs Dalloway said she would buy the flowers herself.'
1984 - 'It was a bright cold day in April and the clocks were striking thirteen.'

There is a commonality between these lines. They each introduce something new to the reader and leave them with questions, be it a place, character or event. If you only had these lines, what questions would you come up with? What the hell is Manderley? Why is this person dreaming about it? Again?? Who is Mrs Dalloway? Why is the buying flowers? Why is she specifically buying them herself? How is a clock striking thirteen? What kind of place has 13-hour clocks?

With your first line, try to think of what a reader, if given just your sentence, would question. Does it make you want to read on or does it leave you cold? Then give it to a reader, a friend, relative, online forum, anyone. All feedback is good feedback.

The downside of new writers trying to make that first line sucker punch a reader is that one can spend so much time making those first ten words perfect, that the other 80,000 do not live up to the hype. I believe a novel should be the same standard throughout. I've read so many that start off so well, the first three chapters are incredible but after that the writing flounders, the plot turns sluggish and I leave the characters feeling disappointed.

This happens because so many new writers concentrate on the first line or first three chapters because that is what is sent to an agent or publisher and that small section of the whole is what 'sells' the book. If you have an amazing first line, great, good for you, but make sure the rest of your work is of the same standard and has received the same amount of attention from you. Yes it will take a while, yes it will be difficult, but that is what writing a book is all about. How do you do this? You edit. You edit like your life depended on it. You cut. You re-write. You bang your head on your desk until that first line is just a taster, not the pinnacle, of wrting within. Stop concentrating on selling your book and instead concentrate on writing it.