Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

15 September 2012

An Excerpt of My Novel

With one novel on submission to agents, another almost half-way through, a full-time job and a list of manuscripts as long as my arm to critique, I'm not finding as much time for blogging as I'd like. So in future I will be dialing back on the number of manuscripts I accept and finding more time for this little site. Here is my humble September offering.

When I hear than an editor is also a writer I'm always more curious about their work than about anyone elses. An editor should know and avoid the common mistakes, be more 'clued-in', and generally be able to see the good and bad in a manuscript. So in the interests of full-disclosure, since I've spent the last year reading and editing and giving opinion on all your work, I thought I would do a little sharing of my own. This is a short extract from the first chapter of the novel I currently have on submission to agents.


He set the receiver down and aligned the phone with the edges of the small side table, wiping a few errant motes of dust from the thick-varnished fake mahogany surface. Marius stared at the inhabitants of his sparse apartment, their blithe taunts cut deeper today, small verbal nicks, like those received by careless shaving stabbed at him from all sides. This was not uncommon, Marius had woken up to them, left for work with their words dancing in his ears, come home to them and struggled to sleep each night for the over a year with nothing to break his routine. So, in an inconceivable moment of spontaneity, Marius took up his jacket and dashed out of the flat before another barb could reach him.

Marius went to a bar. This was the first and only repeat of an act of peer pressure from his eighteenth birthday. He assumed, through its glorification by the media, that this was ‘the thing to do’ when the day had shit on you so hard that only neat alcohol and anonymous company could dig you out. He entered the first establishment he came across and, seeing the Friday night rush, resolved to leave immediately. Turning to flee, he was blocked by a team of loose-suited, sun-blushed city-types, forcing him further into the throng of after-work revellers and up to the bar. He was sardined between the three-deep crowd of money-waving patrons and the hulking stock-market-in-the-week-ruggers-on-the-weekend louts behind him.

Panic was rising. Marius could feel the stale beer-tainted breath on his face, burning into his nostrils and watering his eyes. His shoulders were touching his ears and his made-in-Taiwan canvas shoes offered no protection from the Italian calf-skin loafers intent on crushing them. An almighty roar from behind and the horde surged forward. Smelling it before feeling it, the acid tinge of spilt alcohol covered his left shoulder. Cigarette ash stuck to the spillage and its owner came within millimetres of his eye. The nicotine smog swirled above him in a demonic haze. The ceiling disappeared, the floor disappeared, the people around him melded into one fleshy mound and Marius’ vision blurred.

Desperate not to collapse surrounded by these oblivious thugs, Marius employed his elbows, tucked his head down and barged his way free to a chorus of disapproval.

‘Oi mate, calm down!’ a rotund fellow in an army jacket shoved him back but Marius persisted.

‘You wanna stop that mate,’ a meaty hand gripped his hunched shoulder.

Marius’ mouse whisper apology did nothing to stem the tide of drunken anger soon to be directed at his torso and face.

‘You wanna learn some manners son,’ Marius now noticed that covering the man’s head, in place of hair, was the wide, stretched skin of a scar. 

‘You looking at something son?’ the man’s tone had turned sinister. Marius tore his vision from the torn scalp to a pair of ferocious baby blues.

‘I think you oughta come outside with me, eh? I’ll gi’yuh something to look at, ay?’

Marius’ blood turned to ice. He’d never been in a fight before. What were the rules? Should they exchange insurance information beforehand?

The squat bulldog was ushering him to the door, the man's hand was carved out of wood, impossible to wriggle free. Marius’ protests went unnoticed or unheard.

‘Teach you ta stare won’t I ay?’

The bulldog’s right hand was on the door handle, the other still vice-like on Marius’ shoulder. Shit. Marius couldn’t fight. Marius did not like confrontation. Marius was a pacifist. Oh shit the door was opening, the dog was pushing him outside. Who was he kidding? Pacifist? Marius Arnold was a coward. One foot out the door. Shit. They say that a guy’s first fight is a defining moment, that it turns you from a boy to a man because you can’t be a man until you’ve felt the fist of another man break your cheekbone. Marius did not give this any weight but he did wonder in this moment if, had he been beaten to a bloody mass during adolescence, he would not now be shitting himself quite so liberally. Both his feet were now outside the safe confines of the pub. Shit.

Then, an angel in khaki.
 

4 May 2012

Writing Update

I have been a bit lax with blogging and updating and all that jazz. The reason for this is because in the middle of February I finished my WIP. I then spent the next 6 weeks editing and revising it. Now it is on submission to agents and the responses have been wonderful so far.

This isn't the only thing that has been taking my attention away from blogging. I have started a new WIP which I am super excited about, even more than the first book. This new project currently stands at 12k and I'm really happy with it. It is using narrative techniques I haven't used before and I'm experimenting with chapter length and jumping POVs. In short, loving it. I'm also getting married in 6 weeks so the planning has just overwhelmed every other spare moment.

I will be blogging more in the future, hopefully with some good news of my first WIP! :)

14 December 2011

So Many New Ideas! Ahh My Brain!!

I'm now coming to the end of my WIP, the finish line at the end of the tunnel is in sight (yes, I mixed my metaphors, what are you going to do about it?) and what invariably happens at this stage of a project is my mind gets flooded with all these new shiny novel or short story ideas. This is very annoying. It's distracting from the most important part of the book, the denouement, the climax of climaxes, the bit where all the disparate little threads of thought are wound together into a beautiful macrame teddy bear which the reader can hug to hold onto the magic of the story. But then the other ideas come and they stay your hand from tying those knots and they dance and sing and frolic before you, tempting you away from your work.

Do not go! Avoid temptation! Sit back down and finish that book you've been writing for what feels like 63,000 years. Are you sat back down? Good. So what can we do about those pesky ideas? Listen closely and I shall tell you.

There are three options.

1. You can be tempted away, start a new writing project with this new, shiny, best idea EVA and have the same thing happen 5k from the end. Your call.

2. You can ignore those flashy lights and bells and whistles, you can put your ear muffs on and hunker down under a blanket until they go away. But they won't go away. Do you know why? Because they're inside your head!

3. You can catch the little gits and force them onto a piece of paper. Tether them to the fibres of dead tree or the cyber page. Write down everything you know about them, everything that comes into your head and do it quickly. Then put that page or notebook in a drawer and lock them away until the last word is written on your current project. When you have done that, you can let them out, pick the best one and start the process all over again.

What will you do? I'll give you a hint - 1 & 2 are the wrong answer.

Happy holidays!

11 September 2011

My Bad Writing Habits

I've been writing for, I suppose, decades now. The earliest memory I have of writing a coherant story was age five or six and I like to think my writing has improved somewhat since then. I sometimes re-read things I wrote years ago and cringe at the mistakes I made. Then I read what I'm writing now and realise I'm making some of the same mistakes. I was wondering if they were Beth-specific mistakes or ones that other aspiring writers make.
  • I use commas very liberally. I can't help it, I just like them, they are perfect for how my brain rambles and how my characters brains ramble. I may use them incorrectly but I read everything I write aloud so the natural pauses always seem appropriate. My addiction has got better but I do sometimes find myself giving in.
  • I don't plan. I've read countless books and attended creative writing classes which always said the same thing. 'Before you start your novel, sit down and plan it out. Write your characters, their names, personality traits, and personal arcs. Write your beginning, middle, end, and subplots. Once you have ironed out every single possible diversion and wrung the life, spontaneity, and imagination from the thing, then you can write your first line.' While I can see the wisdom in this, I just can't work like that which leads to a few consistency errors I have to go back to correct. It's annoying and confuses me but I can't seem to work any other way.
  • I sometimes skimp on dialogue. I tend to write very close, single character-focussed narrative, either in 1st or 3rd person, so I often forget about dialogue. The MC in my current WIP is bit OCD so tends to be a lot inside his own head and is, generally, a very isolated person so the dialogue is always something a little foreign to him. I know that the plot feels like it moves and the pace speeds up when there is a lot of dialogue (e.g the literary abomination that is Twilight) but I'd like to think the prose can carry the story without pages and pages of he-said-she-said (I also don't use 'said' in my writing. Hate it).
  • Adverbs. This is more of a historical mistake, I'm not using them in my current projects but I used to. I had adverbs coming out of my ears, nose, mouth, and keyboard. They just seemed to write themselves, automatically... My instinct is still to write those dreaded ly-words but I catch myself and try to re-word the description and consign them to the Pit. If for some reason I can't find a suitable alternative, I will use a less obvious or well-known adverb, but always with a touch of disappointment and the promise to come back and change it.
I believe that being able to take a step back from your writing and identify problems/mistakes/bad habits is probably the most important action a writer can take. It allows you to cut the fictional umbilical cord and accept constructive criticism. If you can admit you have a problem, you can take your first step to solving it, or something like that.

So these are a few my bad writing habits, some I'm working on, some I'm content with. Do any of you share any of these habits? And if you're in a sharing mood, what are yours?